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Upcoming Shows
click for full details) October 2009 Shows
STATE RADIO
THE BEAR RHYMES WITH WOMAN TOUR - CARBON LEAF & STEPHEN KELLOGG & THE SIXERS
NEEDTOBREATHE THIS SHOW IS SOLD OUT.....THIS SHOW IS SOLD OUT....THIS SHOW IS SOLD OUT.
WILL HOGE
Shannon McArthur ( early show)
CHRIS SMITHER
PAT MCGEE BAND
BENJI HUGHES
DEER TICK
THE HEAVY PETS
SOJA
JEWEL
THE MOONSHINE RACERS |
CAROLINA CHOCOLATE DROPS
10/15/2009 Doors Open: 7:30 - Headliner Begins: 8:00 The Carolina Chocolate Drops are a group of young African-American stringband musicians that have come to together to play the rich tradition of fiddle and banjo music in Carolinas’ piedmont. Rhiannon Giddens and Justin Robinson both hail from the green hills of the North Carolina Piedmont while Dom Flemons is native to sunny Arizona. Although we have diverse musical backgrounds, we draw our musical heritage from the foothills of the North and South Carolina. We have been under the tutelage of Joe Thompson, said to be the last black traditional string band player, of Mebane, NC and we strive to carry on the long standing traditional music of the black and white communities. Joe’s musical heritage runs as deeply and fluidly as the many rivers and streams that traverse our landscape. We are proud to carry on the tradition of black musicians like Odell and Nate Thompson, Dink Roberts, John Snipes, Libba Cotten, Emp White, and countless others who have passed beyond memory and recognition. The trio of Durham-based youngsters are often joined on their gigs by elder Sule Greg Wilson. Born and raised in Washington, DC, Wilson now makes his home in Tempe, AZ with his wife and daughters. A dancer, multi-percussionist, string player and author who learned to play the bones on his daddy’s knee, Wilson first picked up a banjo in the early 1980s. “I’ve been studying African culture and arts—drum, dance, costume, spirit and song--just about all my life. My very first paycheck was for doing folklore. But, in time, I needed to know how those rich Old World traditions transformed over here, on this side of the waters. Taj’s “Old Folks At Home” album haunted me. That led me to masters of Tap and Lindy and to minstrelsy and, eventually, to the banjo and traditional non-blues Black music. I was bless to see, meet and play with folks such as Danny Barker, John Jackson, Howard Armstrong, Jessie Mae Hemphill. Even Eubie Blake, Honi Coles, Edith Wilson, John Bubbles and Luckey Roberts (through his daughter, Gwen). I first met Taj Mahal still psyched from his first trip to Africa, and got to sit with and learn from Algia Mae Hinton Joe Thompson before their strokes, about en years before the Black Banjo Gathering in 2005. This makes me a living link between the passed-on elders and those coming up now. After all those years of being the only Black person I knew of doing this music---except Taj and the deep elders—there are now Bloods I can create this music with, for now and the future. And, we’re finding—and helping--more young folks getting inspired every day. It’s a beautiful place.” www.carolinachocolatedrops.com
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