SISTER SPARROW & THE DIRTY BIRDS
Visulite Theatre (16+ (Must have ID) - Under 16 with Parent Only)
Doors Open: 8:00 - Headliner Begins: 10:00
Sister Sparrow & The Dirty Birds is a nine-piece powerhouse that puts a modern spin on classic soul. The band is led by Arleigh Kincheloe (Sister Sparrow), whose astoundingly powerful voice and sly demeanor make for a spellbinding presence onstage. She is backed by the mighty force of The Dirty Birds, a flock of eight men who masterfully lay down thundering grooves and soaring melodies. While each of the Birds are capable of lighting up the stage with jaw-dropping displays of musicianship, it’s clear they’re focused on delivering the band’s infectious music as a single entity. Simply put, the band’s live show is explosive.
Dynamic singer and front-woman Sister Sparrow first began penning tunes in the alleyways and back roads between New York City and the Catskill Mountains as a teenager. Though already aided and abetted by her harmonica-shredding brother Jackson, it was clear that a large, powerful band was needed to do justice to the songs she was crafting. The brother and sister team called upon their cousin Bram, a California-bred drummer of considerable prowess, to help them assemble a super-band of epic proportions. Bram brought in childhood friends JJ Byars (alto saxophone) and Ryan Snow (trombone), and Ryan called upon baritone saxophonist and close friend Johnny Butler. Later, the addition of trumpeter Phil Rodriguez completed the unstoppable force of the virtuosic Dirty Birds’ horns. The rhythm section was filled out by tapping guitarist Sasha Brown and bassist Aidan Carroll, a tandem that proved to be the perfect engineers of the hard-driving, bare-knuckle grooves that propel this ferocious group.
It was evident from the start that the deep friendships among its members translated directly to the music they made together. While Sister Sparrow is the principal songwriter and unifying voice of the band, the Dirty Birds work collaboratively on arrangements. The result is musical creativity and diversity seldom seen in groups of this size and character. By the middle of 2009, Sister Sparrow & The Dirty Birds had packed New York’s legendary Rockwood Music Hall every Saturday night, holding down a five-month-long residency that built them a reputation for being one of the funkiest, tightest groups in the city. Fueled by the band’s boundless energy, every show turned into a wild dance party, and the Dirty Birds established a rabid following of fans eager to receive a potent dose of good times, delivered by the band night after night.
Within six months of their November 2010 debut release on Modern Vintage Recordings, Sister Sparrow & The Dirty Birds had opened for the Black Keys, the Neville Brothers, Dr. John, the Rebirth Brass Band, and the Soul Rebels Brass Band, among others. Through appearances at such festivals as moe.down, Strange Creek, Camp Jam, Sterling Stage, and late-night at New Orleans JazzFest, they continued to gain wider acclaim. In the spring of 2011, they embarked on an extensive national tour that continues through year‚Äôs end and includes performances at Gathering of the Vibes and Bear Creek.
Sister Sparrow’s commanding stage presence alone is more than enough to dazzle audiences, but the magic doesn’t end with her: the band’s palpable camaraderie, undeniable talent and passion for music makes for a contagious combination that is taking the country by storm. Sister Sparrow & The Dirty Birds’ blend of seductive soul and dirty blues-rock reminds audiences why they love live music.
THE WHEELER BROTHERS
Start Time: 8:30
“Long, Hard Road,” the first song on the Wheeler Brothers’ first album and a title that gives you a pretty good indication of where this Austin, Texas five-piece feels most comfortable. Indeed, although they’re five-time Austin Music Awards winners who’ve never played a hometown gig that hasn’t sold out, the Wheelers view the world as one big stage.
“We’ve always respected the bands that just get out there and work their asses off,” says singer-guitarist Nolan Wheeler, who adds that the band’s goal this year is to play 200 shows by Christmas. “There’s really no better way to create a connection with your audience.”
Nor is there any better way to refine your music—to find yourself in it and discover what makes it yours. That’s precisely what the Wheeler Brothers—who also include bassist Tyler Wheeler and drummer Patrick Wheeler, along with guitarist Danny Matthews and lap-steel whiz A.J. Molyneaux—have done over the past two years, honing a unique roots-music sound PasteMagazine.com has described as bringing “a bit of the enthusiasm and flavor of The Arcade Fire into their Texas-tinged Americana” and Carson Daly has called “…music at its finest. Rock & roll with a bit of twang…”
They’ll be the first to tell you: Portraits, the group’s remarkable debut, arrives steeped in tradition, with a sound as rich as Southern soil with echoes of Willie Nelson and Townes Van Zandt, not to mention more recent trailblazers such as Wilco and Radiohead. (And let’s not forget Western swing institution Asleep at the Wheel, whose frontman Ray Benson released Portraits on his Bismeaux Records.)
But in these rough-and-tumble songs of home and heartbreak, fortune and family, the Wheelers tell their own stories, as well, drawn from their experiences as young men with old souls. In “Call Me in the Morning,” a propulsive rocker with fuzzy guitars, they channel the exuberant innocence of one’s salad days, while the quieter title track paints a heavy scene inside a hospital room; elsewhere, they envision life from different perspectives, as in the horn-enriched “Spent Time,” which ponders the way a just-released prisoner might greet the sky.