SOL DRIVEN TRAIN *CD RELEASE
Visulite Theatre (16+ (Must have ID) - Under 16 with Parent Only)
Doors Open: 8:00 - Headliner Begins: 10:15
“If you need to visualize the soul, think of it as a kind of train. Yes, a long, lonesome freight train rumbling from generation to generation on an eternally rainy morning: its boxcars are loaded with sighs and laughter, its hobos are angels, its engineer is the queen of spades – and the queen is wild. Whoo-whoo! Hear that epiphanic whistle blow. The train’s destination is the godhead, but it stops at the Big Bang, at the orgasm, and at the hole in the fence that the red fox sneaks through down behind the barn. It’s simultaneously a local and an express, but it doesn’t transport weaponry, and it certainly ain’t no milk run.”Tom Robbins, Villa Incognito
(left to right) Ward Buckheister on guitar, trombone, and vocals; Rusty Cole on bass and vocals; Wes Powers on drums; Russell Clarke on saxophones and vocals; Joel Timmons on guitar and vocals
Sol Driven Train’s music weaves through genres like images in a Tom Robbins paragraph. The band’s sonic schizophrenia absorbs songwriting influences like John Prine and Paul Simon, afrocaribbean rhythmic explorations, and funky New Orleans-style brass into earnest songs of life, love, loss, and long johns. The versatile 5-piece band, based in Charleston, SC, features rotating lead vocalists, and multi-instrumental talent spread across horns, strings, and percussion. Combining rich varieties of American pop and folk music into their own port-town sound, Sol Driven Train has carved out a unique musical identity within the burgeoning roots music scene.
During the spring of 2000, a close circle of friends and family began gathering in college apartments downtown Charleston to create sound and share in the joy of music. Through the course of over 12 years and over 1,000 live shows, this same spirit still guides Sol Driven Train through the rocky road of the music industry. The venues have grown from bedrooms to festival stages, the amps have gotten louder, the lineup has evolved, and the crowds have multiplied, but the sense of brotherhood, mutual support, and musical independence within the band has strengthened. Through hard work and a commitment to live performance, the band’s reputation and collective musical ability has grown with every season. Named 2011’s “Rock Band of the Year” by the Charleston City Paper, and “On the Verge” by Relix Magazine in January 2012, Sol Driven Train is an independent band breaking into the national spotlight. Nine independent releases including two critically-acclaimed albums for children, a live concert DVD, a live album, four full-length studio albums, and last summer’s popular “Watermelon” EP document the band’s winding musical development. The band’s loyal fans recently funded the release ofSol Driven Train’s upcoming full-length album, Underdog, due out in 2013.
Start Time: 8:45
Brooklyn might seem an odd place of origin for a country band. The perennial home of cold concrete, hipsters and industrial ruins has been most famous for its indie rock scene over the past decade. But to Blake Christiana, frontman and songwriter for Brooklyn-based Americana/Alt-Country band Yarn, it’s the place that offered not only solace from his Schenectady, NY upbringing and a place to meet other skilled musicians, but a certain anonymity perfect for a songwriter who crafts best in loneliness.
Indeed, in the song “Time Burns On” off the band’s new record Come On In, Blake croons for the city in his best country twang, “I gotta get back / To my Brooklyn flat / Where the neighbors don’t know my name / And the forecast calls for rain.”
Yarn has received quite a bit of buzz in the Americana world as a result of the band’s first two recordings as well as strong performances at clubs and festivals. Their self-titled debut record reached No. 14 on the AMA and R&R Radio Charts, and ranked No. 79 on the AMA’s Top 100 Albums of 2007. Yarn’s 2008 follow-up, Empty Pockets, which features guest appearances by Edie Brickell, Tony Trischka, Casey Dreissen and Caitlin Cary of Whiskeytown, spent months in the AMA charts. The album peaked at No. 5 and was honored with eight first round 2009 Grammy nominations in several categories.
The band owes as much to Gram Parsons and Earl Scruggs as to Jerry Garcia and Exile On Main Street-era Rolling Stones.