Visulite Theatre (16+ (Must have ID) - Under 16 with Parent Only)
Doors Open: 7:00 - Show Starts: 8:00
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your favorite band's favorite band.
On their new album Glazed, *repeat repeat deliver a batch of songs entirely true to the album’s title: sugary and sticky and impossibly shiny, all glistening harmonies and candy-coated hooks. But beneath the gloss lies something more jarring and jagged, a raw vitality generated by the Nashville band’s buzzy rhythms and blistering guitar work. Fortified by the distinctly thoughtful songwriting of husband-and-wife duo Jared and Kristyn Corder, the result is an album that finds an unlikely power in irrepressible sweetness.
The follow-up to 2017’s Floral Canyon, Glazed marks a period of major growth for *repeat repeat, who’ve spent the better part of the last few years touring, highlighted by a 2018 debut at the Bonnaroo Music and Arts festival that saw them lavishly praised by Rolling Stone, who hailed them as “Most Enthusiastic Rockers”. In bringing the new album to life, *repeat repeat worked closely with producer Patrick Carney (drummer for The Black Keys and producer for such artists as Arctic Monkeys, Black Lips, and Tobias Jesso Jr.), immersing themselves in a more rigorous songwriting and recording process than they’d ever attempted before.
“Patrick was deeply involved in every aspect of the album, and it sparked this whole new level of creativity in all of us,” says Jared, who serves as lead vocalist, guitarist, and main songwriter for *repeat repeat. “He was adamant about pushing us and working on something until we got it exactly right. It was really challenging at times, but I think it taught us how to make the best song that we can possibly make.”
In another monumental shift, Kristyn expanded her role far beyond anchoring *repeat repeat’s bold harmonies, playing keyboards, and directing the band’s design aesthetic, moving on to writing guitar parts and lyrics for the band. On lead single “Hi, I’m Waiting,” the increased depth of their collaboration reveals itself in tender expressions of affection, unfolding in swinging melodies and crunchy guitar riffs and lyrics capturing a quiet sensitivity (e.g., “You say when you want me/I want you when you do”). “So many love songs come from a place of demanding love, or feeling like it’s owed to you,” Jared points out. “I liked the idea of conveying a different romantic sentiment, especially as a straight white male—I mean, the least we can do as dudes is wait.”
All throughout Glazed, *repeat repeat bring a certain defiance to their songs, a passionate refusal to let the world crush their optimism. With its dizzying textures and driving beat, “Head On” makes a glorious case for defining your own destiny. Darkly charged but no less exuberant, “Apocalyptic” finds the band facing a doomsday scenario with unabashed romanticism (“The idea behind that song is, ‘If this is the end of the world, let’s go down holding hands,’” notes Kristyn). And on “Pressure,” *repeat repeat lament the endless stresses of modern times, while their determined vocals and urgent guitar work speak to sheer indomitability.
At the heart of Glazed is the kinetic tension that’s fueled *repeat repeat since the band’s inception; the wildly differing sensibilities of Jared (a former punk-rock kid raised on Bad Religion and Black Flag) and Kristyn (a California girl who grew up on the Beach Boys and the Mamas and the Papas). “This band is truly a combination of Jared’s most authentic and creative self and my most authentic and creative self, and how those two things combine to make something new,” says Kristyn. But despite their undeniable chemistry, the two initially had no intentions of forming a band together. Meeting soon after Jared moved to Nashville, the couple got engaged several months later, as Jared first set about getting *repeat repeat off the ground. It wasn’t until Jared teamed up with producer Gregory Lattimer and set to work on the band’s first album that Kristyn made her way into the lineup.
“Gregory told me that the most punk-rock thing you can do is write a good love song, and I took that to heart and started writing all these songs about our relationship,” Jared recalls. “I knew I wanted a female singer in the band so I had Kristyn on a couple demos, and as soon as Gregory heard them he said, ‘I think you just found your girl singer.’ It all just took off from there.” Adds Kristyn: “ I have a performing arts degree, but being in a band isn’t an adventure I necessarily saw myself going on. Joining *repeat repeat has certainly made everything so much more fun, so maybe it’s something I was subconsciously moving toward the whole time.”
Through the years, the duo’s singular dynamic has manifested in *repeat repeat’s magnetic stage presence, with Jared bringing a joyfully rebellious spirit and Kristyn channeling a subtle effervescence. “The music we make is really an extension of our life together,” says Jared. “A day on the road is no different from a day on our honeymoon.” To that end, the title to Glazed partly nods to a greeting card Jared gave to Kristyn on a recent anniversary. “It was a picture of donuts and the message said, ‘You’re a rainbow sprinkle in a sea of glazed,’” Jared explains. “I thought that was a really sweet sentiment, but there’s also a double meaning to it: the world right now has such a frenetic energy, and it makes people kind of glaze over after a while. We wanted to create something that takes you out of that reality—music that makes you feel hopeful and positive and empowered, and just completely leads with love.”
photo: @kingsburyeyes / Jonathan Kingsbury
Start Time: 8:00
In fashion, they make or break a look. Some say they frame the windows to the soul.
In Charlotte, NC, they mean a really good, rocking time.
The Eyebrows are a rock band from Charlotte, NC, whose quirky lyrics — coupled with manic-fuzz guitar, beer-soaked bass and a retro backbeat — have brought comparisons to the Talking Heads and Pixies with a touch of The Stranglers and Modern Lovers.
Their name comes from a Frank Zappa quote: “The computer can’t tell you the emotional story. It can give you the exact mathematical design, but what’s missing is the eyebrows.” Lead Eyebrow Jay Garrigan also has a set of pointy blonde, highly mobile eyebrows which have been the subject of some childhood ridicule. As an adult, Jay feels that “eyebrows, much like music, help us express things when we are at a loss for words… and these unsaid things can be both beautifully sculpted or tragically abused.”
No strangers to the scene, The Eyebrows tracked and mixed their debut album, VOLUME, with legendary REM producer Mitch Easter at his Fidelitorium sound studio. Ten tracks have been mastered by Greg Calbi out of Sterling Sound in NYC, and the band plans to release the album themselves in August 2018 on vinyl, CD and digital formats.
Singer/Guitarist Jay Garrigan and drummist Shawn Lynch have played together for over eighteen years in several of Charlotte’s most dynamic rock bands, including both Poprocket and Temperance League. Many people think Jay and Shawn are brothers, not just because they look alike, but because they treat each other like brothers – always finishing each other’s jokes, or having the license to talk shit and simultaneously defend each other.
Jay and Shawn recruited longtime pal and punk rock aficionado Darrin Gray, also of It’s Snakes, to join The Eyebrows in April 2018 on bass. Darrin, Shawn and Jay have played together before in several one-off shows over the years, appearing at charity concerts or the occasional pool party, covering rock classics from David Bowie, The Kinks, Rolling Stones, Richard Hell, Television, and The Ramones.
Jay’s voice has been compared to a mix of Rob Halford, Freddie Mercury and Jeff Buckley, and he tends to write skewed, confessional rock/pop songs. His quirky, left-of-center lyrics and edgy, manic live shows helped win demo deals with major (RCA) and indie (Spectra Records) labels in previous bands.
In humans, eyebrows serve both protective and expressive functions – and the same may be true of The Eyebrows. After taking a forced hiatus from songwriting and performing in 2012 due to painful, life-altering chronic corneal erosion resulted from botched Lasik surgery (details available upon request), Jay became uncreative due to periodic inconsolable pain and the mental noise of getting used to unpredictable and occasional low vision. He quit his band, record deal, and stopped writing and performing music while adjusting to his “new normal”.
It wasn’t until Shawn Lynch (and buddy Bruce Hazel) asked Jay to fill in on bass and keys within Temperance League where Jay re-found his love for performing music. Jay started working on a slew of new material in his home recording studio in 2014, and in 2015 Jay and Shawn started recording and practicing with friends on future The Eyebrows material. After putting out five records with Temperance League, Shawn and Jay gravitated toward making The Eyebrows a priority as a viable, regionally touring act in 2018 and onward.