Visulite Theatre (16+ (Must have ID) - Under 16 with Parent Only)
Doors Open: 7:30 - Show Starts: 9:15
Universally hailed as a thrilling new figure in music for his edgy, lo-fi debut, The Headphone Masterpiece, back in 2002, Cody ChesnuTT is a soul troubadour whose frank, socially conscious ruminations on life continue to challenge popular notions of what modern soul music can look and sound like: a raw storyteller for the people wearing a guitar and a toothpick-chewing smirk; a wide-eyed, intense soul brother in a crazy-fly get-up singing about bedraggled love in the land of Lost Angeles - he’s all of that, but wiser now while still wearing poetic license on his skin like a battle scar.
A decade earlier, Cody explored the Atlanta’s early ‘90s R&B scene as a singer, and then toiled in his LA-based band, The Crosswalk. His time spent alone exploring raw new sounds in his bedroom finally paid off in 2002 with the release of The Headphone Masterpiece. Industry tastemakers like music writer dream hampton (and The Roots drummer and Late Night With Jimmy Fallon bandleader) Questlove took to the record immediately, hearing in Cody’s music the kind of emotional intensity and savvy, irreverent wordplay that was sorely missing in Black music in the early 2000s as the neo-soul movement sputtered to a near halt, losing several of its key players to their own hiatuses. A song from The Headphone Masterpiece was re-tooled as “The Seed 2.0” for the Roots’ seminal album Phrenology, exposing Cody’s music to a wider mainstream audience.
Landing On A Hundred, Cody’s second full-length LP, marks his return to the music game after a period of family-man retreat and reflection that did a world of good for him after his meteoric rise to near fame. The title is a reference to the slang saying, “Keeping It One Hundred,” or telling the whole truth, and for lovers of true blue Southern soul this new album is a must-have - he recorded it with a ten-piece band in Memphis-based Royal Studios, the sonic birthplace of some of the deepest works by soul and blues luminaries like Al Green, Buddy Guy and Ike & Tina Turner. “The original tracks were cut on two-inch tape,” Cody explains. “My hands were tingling because I got to sing on the actual microphone that Al Green recorded with. Nothing has changed. The downhome acoustic treatments are still in place.”
Topics on Landing On A Hundred cover lots of grown-folks business: a man’s road to redemption after years of womanizing and crack addiction, the power and labor of slow-burning marital love that eclipses mere material expressions of affection. Keeping it truthful is ultimately what matters most in Cody’s songs: how it reveals itself in your darkest thoughts, how it can heal old wounds with a handclap and a foot stomp. Truthfulness emanates from Cody’s vocal chords and the strings of his guitar while his, strong, sensitive voice continues to command listeners with its riveting sound, leading them to their own higher ground.
Myron & E
Start Time: 9:15
The vocal duo is something of a rarity. There have been countless solo stars, trios, quartets and quintets, but the pairing of equally talented singers isn’t nearly as common. Sam and Dave, Ashford and Simpson, the Righteous Brothers and the Everly Brothers comprise a short list of standouts. Enter Myron & E.
Myron (Myron Glasper) was born and raised in South Central Los Angeles. He sang in choirs and played piano growing up, and was a star athlete in football and track, but found his calling as a dancer. Working with Rosie Perez landed him on the early ’90s sketch comedy show In Living Color. During those years, however, the streets of South Central were no place to foster creativity, so Myron moved to the Bay and began touring as a backup singer, which is where he met E (Eric “E da Boss” Cooke).
E, a native of Newark, New Jersey, got his first taste of music by playing records during family card games and fish frys. As a teen, he began collecting records of his own and DJing, hanging at the Music Factory and Rock and Soul in New York City. After relocating to southwest Virginia, he graduated high school and began DJing parties, which allowed him to invest in an Ensoniq ASR-10 keyboard, two Technics turntables and an eight-track recorder.
The two began working together while on the road with the Bay Area’s Blackalicious, and shortly after, E released an independent record as E da Boss. While touring in Finland behind his solo project, E found himself in an impromptu jam session with members of The Soul Investigators, whose work with singer Nicole Willis helped define them as one of Europe's foremost retro-soul bands.