BAND OF HEATHENS - Online Ticket Sales have ended. You can buy them at the door starting at 8.
Visulite Theatre (16+ (Must have ID) - Under 16 with Parent Only)
Doors Open: 8:00 - Show Starts: 8:45
Since emerging as a favorite new live band out of Austin TX in the late 2000s, the Band of Heathens has toured relentlessly, building a devoted following and landing on some of the finest stages in music. Over three studio albums and hundreds of shows each year, they’ve evolved as a group and broadened their sound. Their most recent album Top Hat Crown & The Clapmaster’s Son spiked the already potent punch with a dash of jammy psychedelia. And the rich and righteous vocal harmonies that set TBoH apart from the beginning have just gotten better. The Band of Heathens began 2012 with the first lineup change in 4 years with the departure of Colin Brooks. So going forward, songwriting frontmen Ed Jurdi and Gordy Quist are complimented by the rhythm section of drummer John Chipman, bassist Seth Whitney and keyboard player Trevor Nealon. With a growing resume of key shows and broadcasts to their credit, (Bonnaroo, Hardly Strictly Bluegrass, Lollapalooza, Austin City Limits TV Show and ACL Festival among them), the slightly rejiggered Band of Heathens has never enjoyed so much renown or optimism. The band got its start in late 2005 when a group of likeminded songwriters established residency gigs on the same night of the week at Momo’s, a club on Austin’s famous Sixth Street. Friendship, sit-ins and harmony jags gelled into something quite rare: a band with multiple front-men, each with enough humility and passion to invest in the larger project. The sum transcended the parts, and very quickly, word spread about TBoH’s special chemistry. The strong voices up front all played a role, whether as leaders or locked together in harmony. The show’s-the-thing focus led them down a somewhat unorthodox path: launching their recorded career with two live discs, “Live from Momo’s” and “Live at Antone’s”, released in 2006 and 2007 respectively. The Heathens took their time getting their first studio album out, but when that eponymous debut was released in 2008, they proved they could write and record a coherent statement that measured up to their show. They followed relatively quickly with One Foot In The Ether toward the end of 2009. Both shot to the top of the Americana chart and remained there for months, a longevity rare in any format of music. Top Hat Crown & the Clapmaster’s Son, released in 2011, stretches further, without breaking faith with the feel and integrity that got the Band of Heathens this far. The positive reaction from fans and critics vindicated the group’s hopes that the album would show growth. Blurt magazine said that “in a crowded roots rock field, (their) diversity sets them apart.” And “it would have been easy for [them] to play it safe on Top Hat Crown & the Clapmaster’s Son,” said Pittsburgh’s Daily News. “But they decided to tweak their formula a bit and the results are truly memorable.” And American Songwriter ruled it “an album that begs to be listened to from start to finish.” Currently TBoH is working on a four-disc, two-volume, live DVD release called the Double Down - Live in Denver (Vol. 1 & 2). The live DVD/CD set was recorded over two nights in October 2011 at Denver’s Cervantes’ Other Side. It features the band’s live variations and extensions of original material mostly from their last two studio albums. The Band of Heathens has been honored as Best New Band at the Austin Music Awards, and has been nominated in various categories at the Americana Music Awards over the past few years. The Wall Street Journal’s Jim Fusilli called theirs the best set at South By Southwest 2009. And the rest of the press has been equally effusive: The Dallas Morning News calls them “a must-see show.” Maverick magazine says they’re “magnificent.” For The Chicago Tribune, the band felt “refreshingly different,” and The New York Times called their show at Brooklyn’s Union Hall “hungry, unflagging and lean.”
JOE FLETCHER Solo Acoustic
Start Time: 8:45
Joe Fletcher & the Wrong Reasons is an Americana band that began in Providence, RI in 2005. In the center of this revolving cast of musicians, songwriter Joe Fletcher remains at the helm of this country blues-based outfit while still playing many solo acoustic shows throughout the land every year. Sometime in 2007, the band recorded their debut album BURY YOUR PROBLEMS at the rather mysterious Golden Monkey Studio in the heart of Providence’s Smith Hill neighborhood. Details of this event remain murky though it has been corroborated that sound experts Jay Berndt and Matt Oliva oversaw a assortment of musicians which included legends Jack Hanlon, Greg “J.D.” Burgess, Dennis Kelly, and Dale Cunningham. We do know that the record received overwhelmingly positive reviews and Fletcher’s story-driven songwriting began catching national attention earning comparisons to Cash, Cave, Cohen, and Dylan. After a series of lengthy U.S. tours in support of Bury Your Problems, Joe Fletcher & the Wrong Reasons released their sophomore effort WHITE LIGHTER in December 2010. This time they entered the illustrious Machines With Magnets Recording Studio in Pawtucket, R.I. with a cast that included local luminaries Scott Boutier, Jack Hanlon, John McCauley, Alec Redfearn, Damien Puerini, Dave Lamb, MorganEve Swain, Lily Costner, and Tyler Hayden. Following the recording of White Lighter, rhythm kings Dave Hemingway (drums) and Joe Principe (upright and electric bass) joined the organization, and guitar hero Damien Puerini stayed on in the lead role. White Lighter has attracted a whole new level of attention to the band. Most notably, No Depression has championed the band, saying that “Joe Fletcher proves his versatility on White Lighter. His signature brand of dark and lyrically driven honky tonk is interspersed with a softer side that would make Hagg or Jones proud.” Known best for their thrilling live show, Joe Fletcher & the Wrong Reasons have shared stages with many of their favorite acts including Deer Tick, The Low Anthem, Shooter Jennings, John Doe, Robert Earl Keen, The Supersuckers, Lydia Loveless, Murder by Death, Scott H. Biram, Holly Golightly, Slim Cessna’s Auto Club, Brown Bird, and The Devil Makes Three. Their wide variety of material and influences make them equally at home in a small café or a sold-out rock club.